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List Of Artworks ... that have comments.

Image	Commented Artworks
john-paul Delaney	I'm just testing the image upload as Federico says it's not working... ...
	I really like these things, I'd just like to know a bit more about your process. Could you tell me approximately how many times you have to run to the toilet during their execution? Here's a great tim ...
	But with those images from your studio window of a lush, well-cared for, and spacious garden, I thought you would liberally throw open the those studio doors and execute a thorough watering of the nea ...
	Wow, simply throw the door open, I just never thought of it, you're definitely a man of vision. And yes the children of geniuses are unfortunately, inevitably damaged. My main concern right now is ...
	I thought you were already under arrest? Aren't the internationally recognized Blue Laws enforced adequately by the Canadian Mounties? I presume the queen will have some appropriately disapproving  ...
	This is in answer to your call for help from the guys (I just checked and I believe I'm still one) in your Studio Log entry. As we all know there's no facility yet to respond directly so I'm doing it  ...
	Sorry, I forgot to mention that I like these beer box paintings very much, my opinion offered above was only in response to what I perceived as a discontent by the artist with what he sees as habit,  ...
	There's no add-a-comment function in the studio log section, by design, as the original idea was to give a space to the artist that is her/his own to manage as the artwork develops - without the "nois ...
	Very convoluted comments JP. For a moment i thought i was reading Kagan! Little internet humor there - do we really know to whom we speak? Is Kagan really a 25 year old female artschool undergrad? ...
	Can you say some more on what is meant by creating an imagery in order to demolish a canvas. Do you mean that the image strives to become something - I struggle for words here - cosmic? ("It is ...
	The de Kooning comment was just a bit of tit for tat, I've got a long memory and comments to me like "Why don't you just drop your figurative baggage?", etc, remain. You know by now that I view myself ...
	Listening to this debate somehow evokes a strange picture in my small brain: It shows something as Saint Augustine, Rabbi Hillel and say Ibn Rushd are sitting together in some kind of shadowy mosque o ...
	If there were no Hanjo, we'd have to invent him! One thing i like about this site is the surprise, the comments appearing from all directions and points of view. Just as one thing i like about the wor ...
	Yes, I agree with Arnold in welcoming Schmidt over to our table in the artprocess bar, and surely enjoy his good-humoured introductory "What a load of bullshit you're talking.." remark (but for which  ...
	I heard about a free round and thought I’d join. The reason I am always very careful with NOT using the word “language” in the same sentence with either music or visual arts is this: Language is a ...
	Γειá μας ...
	Welcome Maria. I like your comment but unfortunately I do not fully agree with you. I only agree say 99.9%. Scientists who work on the language phenomenon have said that spoken language comes to appro ...
Alejandro Cabeza	What's up? This site abounds with figurative artists all congratulating each other, and here I am, making bad abstract stuff, and thinking the guy Alejandro's work is just great. Am I wrong? How co ...
	Maria wrote this response to J.P.'s comment but placed it under the wrong image, I've taken the liberty of putting it where it belongs.) MARIA'S COMMENT » Highly figurative landscap ...
	I've a weakening brain twisted again today with too much washing dishes, and (evil of evils) then disappearing to the studio to read up more on how best to improve on washing up even more efficiently, ...
	JP, my dear Italian dishwashing buddy, I brought up the topic of cubism a little while ago and gave you all my own idiosyncratic interpretation. I was hoping to hear from yourself and others about wha ...
	My dear friends, I think that we are facing a problem here: images such as Alejandro’s cannot be fully appreciated unless one sees the real thing. “What art should look like” is a non existing argume ...
	Alejandro, no sé si te has enterado de que toda la discusión la ha generado tu trabajo, sería interesante que comentases tú también tu opinión sobre el tema, y así hubiese una intervención también en  ...
	Tienes Razón Karen, la verdad es que os observo desde lejos, y no me entero muy bien de la polémica suscitada sobre mi obra, y mas (en otro idioma) en cualquier caso la experiencia me ha enseñado que  ...
	Es verdad que todos tenemos mas de uno cuadro en el studio al que no tenemos ningun aprecio. Yo tengo mas cuadros asi que cuadros que me satisfacen. Algunas veces consigo desesperada ma pienso que est ...
	Maria , nunca dejas de sorprendernos! enhorabuena ! esto es un detalle para todos los miembros españoles de esta web! merece un aplauso no?? Alejandro , gracias por tus palabras sobre mi obr ...
	Bien amigos, el arte no es una cuestión de l’ artesania. Pero la artesania ayuda enormemente para decir lo que usted quiere ser oído. Si usted no tiene que decir algo la artesania será destreza mera y ...
	Alejandro, looking through your portfolio i discover a technique, a discipline and skill which makes me cover my face and wail! 'El palleter' is the first work i saw. It drew me to the others, ye ...
	Well, friends, I really wonder about this community. Once Hillel decried that there is too much politeness on this site and critic is only flattering. But he himself forgot about his own criteria and  ...
	I'll have what Hanjo's having! Giddyap! ...
	Aqui hay mas de uno que le gusrtaria ser lucian freud ...
	Well well, yesterday I waited for my new canvases to be delivered and what happened was that it was postponed from one hour to the next almost the whole day long and in the end the guy who should do t ...
	Hanjo, we who've had the honour to have met you, and have long claimed you as one of our (if not the) leading exponent(s), of our project, know that your response was one that questioned my appraisal  ...
Hillel Kagan	Well, the transit series. Anonymous people, no one singled out, and melted into their surroundings. Just a collective movement. So far I can follow quite well. But then you use these semi circled brus ...
	I attempt to activate the whole canvas and give equal weight to what you might refer to as the positve and negative areas. The semi circles, etc are not a decorative contrivance. I actually see t ...
	You make some valid points and good suggestions that I will follow up on and I thank you for that. The circular forms don't come from Bacon. Actually I took Cezanne's advice of the cube, cylinder, con ...
	Well, I don’t want to compare the transit paintings with the ones that show individual figures. I think that working on the transit / commuter theme is very interesting for this is our daily life. The ...
	Excuse my edging in on your authoritative discussion gentlemen. I enjoyed it so much and was tempted to jump in - in my unlearned way - to rattle Hillel's cage a little :). I'm in agreement with  ...
	Gentlemen, sorry for the delay in my response, I've been somewhat under the weather. Delaney, I appreciate your attempts to rattle my cage and bring out the best in my work. A more direct and urgently ...
	It’s funny, I was only minutes away from writing a short comment about that it cannot be our business to tell other artists how to paint. If there is a tendency in my last comment it’s not what I had  ...
	OK gentlemen... Hillel, apologies, I retract my statements. I should know better to try take on the big players. I guess it showed too easily I was a bit out of my depth. Nevertheless, when I've ex ...
	No apologies necessary, j.p. It's all part of the dialogue, but I think my point was made. We all have a different take on this thing we call art and that makes life interesting.For instance, Hanjo's  ...
	Well, you guys.. the more you write, the better the conversation gets. If you have any suggestions on how to improve the experience of the site, just let me know - every now and then I make changes b ...
	Well, your conclusion that my „inspiration is coming from the Baroque“ is pretty much off the track. So please let’s repeat just a few things for maybe my unexperienced English led you to think this w ...
	Hanjo all your points are well taken, sorry for my slight confusion and I definitely don't want to turn this into a book so I think we should end this one here. Thanks for a fruitful discussion. ...
	You do have excellent control over the medium... oils right? I love the colors... especially the reds. I'm in love with the left side of this work. I love the overlapping reds.  ...
Maria Xagorari	I look at this and then my latest paintings and I get confused. Am I going the wrong way? ...
	I like it. Sure its a little Freudian (Lucien that is) but in all honesty and of course this is only my opinion I prefer it to your more recent efforts which for me (although interesting) are a bit to ...
	Well, Maria, this is a question no one can answer but you. Now and again one succeed in doing a very good painting. One that is more powerful or more beautiful or simply just better than all the o ...
	I am going through a little crisis here and your response is most valuable to me. Dear Hillel, it is not from a live model. It is from a photo I shot of a friend who poses for me. I can see what you  ...
	Well, I am not into art theory. I am not into any theory at all. Theories are for philosophers or clerics or that kind of people. In the end theories are only expressable with words. They are made out ...
	Thank you Hanjo. You have helped me choose side in a conflict in my mind. ...
	Maria, the reason I asked about whether or not you had worked from a photo was not from some kind of snobbery about painting from life being superior to painting from photos. As one who paints from a ...
	Dear Hillel, I am sure it was a compliment, as I never doubted that you do not consider painting from photos inferior. Neither do I. For the history, I started using photos when I did my “Furies or Th ...
	Its a classic conflict. Cezanne, as we know from his early work yearned to do passionate and expressive work with grand themes however its only when he reconciled himself to simpler aims did he achiev ...
	Maria Thank you for the compliment I was delighted.I have been meaning to respond to you for a while and I apologize for not doing so sooner. This is a very good pose.I like the cons ...
	Dear Patrick, thanks for your comment. And thanks for having me look at this work again. I am looking for some sort of golden section between this kind of anatomically correct depiction, and the e ...
Maria Xagorari	Dear Maria, if you keep making one breakthrough after another the whole building's going to collapse. Since that Madrid trip you've been on fire, was it the Rego show or just your El Greco experience  ...
	I am not sure I understand the first sentence. Do you mean I am moving in different directions simultaneously and risk getting lost? You might get your essay my dear but maybe not just so soon. T ...
	Sorry I worded that poorly , I was trying to combine a couple of notions. One of them being that your work of late is changing and the other that deconstruction is necessary for reconstruction. For me ...
	You see that is what I was trying to say once on a comment I made your Head #6. As I understand it, what happened in the early 1900 was the fragmenting and rethinking of the object first and the way w ...
	My lesson from Cezanne is different than the way you perceive it but then everyone has there own take. The so called cubists are all very different maybe Leger comes the closest to using that Cezanne  ...
	Well, you may be right and I may be inventing things the way they suit me best. Sometimes we see what we want to see but it doesn’t matter really. Thanks for the analysis. That’s the way I s ...
	Thanks for a very good conversation. Having reread your contribution to the Forum I think It's a beautiful piece of writing, I didn't want to respond there because I'd like to see it remain on the hom ...
	To some extent, I already do paint from my imagination given the fact that I use the model (live or not) as a guide to anatomy and then set it in my own space. For the time being I still need my figur ...
	I'll take that as a yes. There was no value judgement in my question, where art is involved there's always imagination at work. Take the work of one of our Art Process colleagues Jeroen Witvliet, if y ...
	Ah, drawing! This is by far my favourite subject. I always appreciate a chance to talk about it. Well, people who would ask you what it is that you paint at cocktail parties as well as comic strip art ...
	Beautifully said and I certainly agree with all of it just allow me to add a few thoughts on the topic because drawing for me is everything. In my work I really can't differentiate between painting an ...
Hillel Kagan	This one took me by surprise - like a leap into abstraction - it seemed exciting, a progression into an unknown. Did you follow-up on this tendency to see where it led, or am I completely off-track i ...
	Ha-ha I've just now seen that other circular painting of yours, and read your initial comment on how they came about. It makes what I've said above more than a little dumb. Dumb or not, I'd  ...
	Actually JP, if there's any tension in my work at all and I hope there is, it comes from that very conflict of resolving the figaritive with the abstract. I think all art, at least good art is an abst ...
	Would it make any sense to suggest dump all that figurative baggage (that you're so good at) and just resolve paint on canvas without the tricks? Sometimes I look at artist's work and think talent ca ...
	...thought I'd better add this - I don't think abstract work equals liberation. For example, the celebrated "switch" from abstract to figurative by Philip Guston was again about a search for a truth ...
	Thanks for the comments J.P. When I get a chance I'll post some of my earlier, more abstract stuff. The funny thing is beneath the surface of them there's all this very resolved imagery that drove me  ...
	...yep, and Bacon, Chagall , Fra Angelico (I'd cite for the color) Boccioni, Hopper, and American 50's advertising, amongst others. I'd certainly hate to be the Toronto art critic whose job it is to  ...
	Wow! My work really seems to open some raw nerve in you. I let those earlier remarks about "figurative baggage", tricks, talent etc. go before because I preferred to think you weren't trying to goad m ...
	Dear friends, do you really believe there is such a thing as an innocent eye? I am currious. ...
	I say "innocent" in the sense of trying to eliminate the mind from the seeing process. The mind has the experience of what a thing is like. It is possible to see just the abstract forms and shapes and ...
merlin keating	please will someone rate and review my work??!! ...
	Your photographs are really interesting but your painting images are of such low definition that it is almost impossible to view them. Why don't you try to upload larger files? ...
	Hello Merlin... I'm interested in the fact that an artist demands a response to his work ("demands" being the operative word in this case). I feel that such a stance is completely justified. One rea ...
	Well spoken JP however it's very nearly impossible for an individual artist to give an opinion on everything thing he/she sees. We always have an opinion but as so often happens, and you see this qui ...
	merlinkeating@eircom.net ...
	> many thanks for your comments. > in some ways i agree with your comments,but if as > artists we do not > communicate, how can we grow ,find new concepts and > ideas? i think its good ...
	thanyou all for your comments.  ...
	the fact that i asked for a review, in itself sparked off many comments,thoughts and ideas. great. ...
	I agree fully with what you've said above Merlin in response to my comment and I especially agree with your last comment and I commend you for sticking your neck out and asking, audaciously for a revi ...
	I can perfectly comprehend the need of an artist to hear comments on his work. On the other vhand, I cannot but share Hillel's view. So, Merlin, honestly, I must tell you this: i personally, bei ...
Hanjo Schmidt	I would like to dedicate the Woyzeck series to both Karen Kruse and Maria Xagorari. To Karen for it is about nude men, a neutral background, the colouring of the skin, poses that are not from the clas ...
	Honored. Well I think the gaze in Woyzeck I is the most powerful you have shown us here. Even more powerful than the emotion series. And OK, message recieved. I wish I were able to send such clear me ...
	Hanjo, I have been without internet these past two weeks. Finally, yesterday I could connect myself and the first thing I did was to take a look at your new paintings, see what you were doing, and th ...
	I want to thank both of you for your comments. Very interesting, very serious, very honest and emotional texts. I’m flattered that you took the time. I am aware of the difficulty of using words w ...
	You don’t have to apologize , it isn’t a question only about you, that's why I said “we”, I mean I’m begining to doubt if there is something that can be said to help somebody make a better artwork, be ...
	Hanjo, in deed, there is no need to apologise. Your way of eliminating narrative interferences of the background in order to enhance the power of bold colour and excellent drawing, your precedent comm ...
	Karen and Hanjo, I would be interested to know what each of you thinks of Paula Rego's work. Especially her Dancing Ostriches series http://www.saatchi-gallery.co.uk/artists/paula_rego.htm...
	I.ve been meaning to comment on Hanjo's latest series of paintings and I came across this beautiful conversation. So firstly about the paintings, they're all as handsome as ever. I probably wouldn't h ...
	Powerfull!The man is tryng to get a exit point .Pure existentialism . Regards . Canonico Costantino ...
Hanjo Schmidt	You're welcome. The painting looks interesting but it's hard to see in this photo. From what I do see however it's either simply an illustrative work of a grown up Hanjo pondering his past, or if I wa ...
	Artprocess Magazine, Rome, March 20 Our reader Hanjo Schmidt wrote that the story sounds interesting but that he can see nothing on the printed photograph. The reader Hillel Kagan complained that  ...
	To the staff at Art Process, Thanks for your prompt response, it reads very clearly now. Sincerely Yours, A Devoted Reader ...
	This triptych brought to my mind an old discussion you, Hillel and I had, on the use of photographs in painting and how we all agreed in the end that one has to concentrate on painting itself. I go ba ...
	Well I find that more than split by his past the grown up Hanjo seems tied by his past, his childhood impregnating every move and emotion, every painting, relationship or behaviour that appears in th ...
	Well, in painting, pictorial elements such as composition, line, form and colour are precisely the ones that can enhance or undermine whatever emotion the depicted subject intends to provoke. So, I th ...
	Maria, you’re absolutely right, every art work is based in one way or another in all those composition principles, colour, movement lines, etc, and the correct or wrong use of these can enhance or de ...
	First of all I want to say thank you for taking the time to comment on this piece. Well, of course I do not want to comment on this particular painting myself for all I have to say is already said wit ...
	Now that you mention Goya's black paintings, well, one cannot get all they have to say if one is unaware of Spain's history of the time. This is very true for many other great works too. I'd say his b ...
. hilary	赤と黒の対比が印象的です。 ...
	Since my mother passed away, her presence has somehow remained there in my parent's home. It's as if she just stepped out a moment. ...
	thank you Kazuaki... the black is where he lives, the red is the pain i live in... sometimes i think i could go there... but my paintings won't let me go... ...
	john-paul, it has been eleven months since my boyfriend left, but i know he's still near... and your mother is still with you... ...
	Hilary... don't tell me you read japanese? Do you know the work of viennese artists Egon Schiele or Gustav Klimt? They used the combination of line and decorative colour in an interesting way. Ri ...
	確かに絵の背景に何か悲しげなものが感じられました。それはきっと愛する人が遠くに行ってしまったことによるものなのでしょう。 ...
	Well.. there's not much we can do about Schiele, but why not find out the email of Kerr and invite him to show some of his stuff here, if you like his work so much? (If I had the opportunity, I'll ...
	john paul, egon schiele is my favorite painter... it think he's amazing... have you seen the work of paul kerr? he's an irish artist who has some works in the apollo gallery in dublin... those are my  ...
Hillel Kagan	Dear Hillel, I have been looking at your studio log when it occured to me: you are the only artist I know that begins with short of abstract forms and then transforms them into figurative and not vice ...
	Maria, I'm not exactly sure what you mean but if It's that I start with abstract form, that's true but I also finish with abstract form. That's the nature of painting even representational or figurati ...
	I am aware of the terms of representation and of the fact that everything is an abstraction at the bottom line. What I meant was that in the course seeing (nature) one perceives first what one has bee ...
	Maria I try to forget about the " thingness" of what I am painting and just try to get down the abstract forms of what I am seeing. In the beginning it's just the largest most interesting shapes and  ...
	You see that is what I was trying to say once on a comment I made your Head #6. As I understand it, what happened in the early 1900 was the fragmenting and rethinking of the object first and the way w ...
	Sorry, I pasted the above under the wrong image. This was meant as a response to another comment of yours. ...
	Hillel, I love what you say "afterall it's not life it's paint" - as an actor I am constantly horrified by reality programming..Lee Strasberg said: it's not about being natural, it's 'naturalism' tha ...
	oops shoulda spell checked  ...
Hillel Kagan	well!! ...
	Is that as in "well done!!!" or just "well!!!" the way Jack Benny used to say it? ...
	As usual your implacable x-rayed way of describing the truth of long time relationships gives full meaning to this work; it is a bitter and merciless psychological analysis of this couple, her person ...
	Poor Joe... I know the feeling. ...
	Don't know what you mean john-paul.... ...
	Karen, you got it in one. Without going into who the people are, they're gone from this world now, you're observations are pretty much right on the mark. You've conveyed it much better verbally than I ...
	I can't remember making this comment (been moving house, mind elsewhere.) If it was me,sorry, I can't remember. ...
	On reflection, the above comment is inadequate. I think I meant "Well, what can you say!" The thing that goes through my head is "bad day on the Planet." A touch of the werewolves. Somebody feeling ro ...
Hillel Kagan	Now that you've exhibited your stuff right smack in a baroque cathoic church (at Trapani), I see you've even taken to the symbolism with this latter-day rendition of figures in a cruciform. I supp ...
	That's very funny, thanks for your comments. The exploded view of the box just happens to turn into a cruciform. I can assure you there was no personal or religious intent. More importantly it's  ...
	Well in a way I wasn't joking. Take a look at the painting again - doesn't it look like a baroque ceiling - all airiness and light? Here's a random URL as an example: www.wga.hu/art/t/tiepolo/gia ...
	I agree with J.P. I have been working in a Catholic Church, restoring a Luca Giordano ceiling, and your painting was something of a flashback to that baroque movement and light, and forced diagonals.  ...
	Well you've caught me red handed. I've been working my way through the Encyclopedia of Art absorbing and stealing everything I see with the ambition of combining all those thousands and thousands of d ...
	...hmm maybe you merit that Archbishop position after all. ...
	Woh, woh, wait a second here! I just checked this web address you gave J.P and what did I find? This guy wearing his piece of drape, (is it?) way too high for not showing anything underneath... Well,  ...
	Well, the Archbishop did say he wanted to absorb 'different ways of seeing'. I suppose that would also include a Dionysian view of things? Regarding the element you've noted as missing, I sugges ...
Federico Mazza	I like your work Federico, especially the blurred color-themed landscapes. ...
	This is grat for me Patricia! beacause I think this "blurred" theme is my future direction. I thing that the humen, in their human life, are leaving the natural life, we see everything from a window,  ...
	Sorry for my terrible language errors (grEat, I thinK, etc :-) my terrible english. ...
	You are able to make yourself understood so do not apologize. Your English is much better than my Italian - I can only order food, couldn't comment on your art in Italian. Where did you learn Engl ...
	Thank you Patricia.. I learn English listen other people! Only French in the old italian high school! ...
	Great! So magic!! Whats in the dark? Good work as usual Federico. ...
	Thanks Jacques, in the dark there is what we are incapable of observing.. ...
karen kruse	Karen, as far as I can see you did a very good job. When I compare this final version with the one you sent to me beforehand I have to say that you mastered all the little problems which are hidden in ...
	Well, when doing a portrait of someone you know, the challenge is to paint something of the essence of that person, it doesn’t rely necessarily in the measurements, or the texture of the skin, it i ...
	Truly a beautiful portrait, even if it is of Hanjo. When are you going to undertake a portrait of me? My only request is it be a full figure, actual size portrait in the nude. Besides for your usual m ...
	That's our Hanjo! A superb work Karen.  ...
	Karen... you know you should really take up Hillel's challenge. It's sure to be one of the most entertaining of subject sittings you've had. I'll bet you come up with a real cracker of an artwork ...
	Well, I've offered myself to paint it! But I need him here, or at least some photos...How about it Hillel????  ...
	j-p???... alive..... he's a-l-i-i-i-v-e, A-A-A-L-I -V- E ! ! ! I'd heard that you perished under a huge load of dirty dishes, apparently just a nasty rumour... this is wonderful news. Ac ...
john-paul Delaney	i like the way this just about marches off the wall. it's got some momentum that reaches out. i also like how hairy it is. at first i though it was cactus! ...
	Funny how you should pick on this - I've just returned from my second visit to Sicily twelve years after the first trip mentioned in this piece. Last weekend I went there on the invitation of Antoni ...
	that's excellent! I hope your real world exhibit comes together..meanwhile did you see I posted something about art process on artblog? here's the link ...
	oops, guess i can't put a link in. well just go to artblog and look at posts for 6/25/06 and you'll find it. ...
	Hello Roberta... many thanks for that lengthy one-year-later writeup on artblog. I've just finished adding some more to the Art Process homepage (last three registered artists who've posted work, lat ...
	Thanks, J-P and keep up the good work! ...
john-paul Delaney	Hi JP. I really like this drawing. Its original but it also walks in the Futurist- Early Duchamp "Nude Descending A Staircase" hallway. Cortland ...
	Hello Cortland... did you see when it was done? Twenty years ago! It feels like something from 100 years ago even to me! Those days I believed in my role as an artist.. something that got lost over ...
	Hi JP, Yes, I did see the date... the work holds up especially the right side which is truly excellent.....!Size,well I guess most young artists want to explode out into space especially when most of  ...
	Dammit... I always forget to login and end up losing the comment I've just made. Anyway, just to try and think what I was saying.. You're obviously smarter than me.. I still end up  ...
	Well you've got me laughing about this cutting things up stuff. Years ago when I lived in the middle of France I stretched this huge canvas in my studio, and then worked on it like hell for months. T ...
	JP, I think most people generally associate small with intimate-intellect, and large with physical-sensual, but those are really just generalities.Each work is a totally new experience, even when one  ...
Hillel Kagan	I want to point out two paintings in particular, Pink Mat and Wrestlers in Foyer. In those paintings there is so much energy and drama. And with keeping the surroundings clear and almost empty you foc ...
	..in complete agreement with Hanjo, and incredibly quirky that they should be wearing business suits. It's very humourous yet uncomfortable (a little forboding) at the same time. ...
	Maybe I told you before or maybe not that these struggling figure paintings arose from my father having been an amateur wrestler. He was also an inveterate junk collector. Amongst his crap I discovere ...
	Well, this may be a good idea Hillel. So let's have a try. For some days I'm going to load up thre of my older paintings (from 20003 to be more precise) from the series "At Arms Length" ...
	"From 20003" hehe. Oh the types! ...
	That'd great Hanjo, I look forward to seeing them. ...
Hillel Kagan	MUY BELLA OBRA ...
	Agredece mucho, el es muy bueno de usted decir tan. Tambien mucho gracias a Google por sus herramientas de traduccion. ...
	If I were you and having read the translation, I wouldn't thank Google at all,now I know what a laughter antonio must have had when reading one of my messages , translated the same way into Italian. ...
	So Karen, do me a favour and tell me what I said. I need a good laugh today. ...
	He is very thankful,he is very good from you to say so much. Also many thankyous to google for its translation tools. ...
	T makes more sense than most of the stuff I say in English. Thanks Karen! ...
Sandra Miranda	i like that a lot; how big are they? ...
	Well Miranda, I like this too but have just the same question as Patricia. So please answer our question, will you? Actually it looks very small but if it doesn't matter for so or so it's impressive a ...
	Dear Hanjo, "The work with the little beds is an installation made of 16 beds, eachone measuring about 10x15 cms 7 high. They were exhibitied in Torino at the MUSAE edition 2006." This is what San ...
	Oh, thank you for the information Patricia. 16 beds, that must look even more interesting  ...
	It is a place tolay down my dreams. Thanks for let me rest Cesar ...
	I love these little beds too! and yes i agree with Hanjo,their fragility reminds of the fragility of the human in such places as hospitals  ...
Maria Xagorari	Maria, something's happening. I don't know what it is but I like it. ...
	Thank you. You have no idea how much this means to me... Well, I think my work has, among other things, been influenced a lot by the interaction with you people on this site. So I am really terrified  ...
	Dear Maria, I just spottet it today (21.7.07) and I'm impressed. Wonderful! ...
	Every time I see this painting the mexican mural painters come to mi mind. There is something monumental about it, guess it has something to do with large flat areas of saturated colour,and the rotund ...
	Cara Maria questa è la tua opera che più mi piace. Bellissimo ...
	Un uome dorme accanto alla sua coscienza . Canonico ...
karen kruse	Karen I like the new paintings very much. This new portrait is very good. the head and background interacting very nicely... the best "Raul" to date. Mind you his expression, I wouldn't exactly call  ...
	And isn't he right? I’m crazy painting so many Raul’s , although I bet there are many more I haven’t reached with my brushes. Its true I’m a bit tyrant....... but I think he likes to be painted. ! ...
	Oh, dear me! Karen, I am so happy for you. This is really working. My friends, they have to put up with it. Companions I mean. Not every body has the honor to be under an artist's bitterswe ...
	Karen: Davis, enhorabuena por tu color, tu movimiento, tu libertad a la hora de crear formas, tu falta de miedo, nunca dejas de sorprenderme porque no dejas de experimentar. Davis: E ...
	Karen, me gusta tu obra porque es honesta. ...
	Gracias David, cuando quieras. ...
Anne Duffy	i can relate to this painting it seems kind of sad to me in its umbiguity nice positive -negative shapes ...
	I was sad when I painted it as my brother had died. I am the only person in the picture left. I could not paint their faces for emotional reasons. Composition-wise, I had difficulty with the kite, ...
	i can understand how you feel as i lost my sister who was my best model after she was gone for 2 years itried to paint portraits of her now that ilook at them ican see they weren't any good ...
	Maybe you think they are not good technically but I imagine they have a presence far more powerful than a photograph. ...
	I feel a little out of place making a comment here, as apparently you share an emotional experience I don't, but I would like to say this: There is nothing wrong with the kite. Absolutely no ...
	wow! I never realised all that but you are right. It was all done on instinct but now I see what you mean. The difficulty I had with the kite was not it's position but the size and the colour. These c ...
Maria Xagorari	It's good, just leave it alone. I hate to let people into my studio when I'm working on something because they invariably say what I've just said to you but I never listen anyway and just keep pluggin ...
	My dear Hillel, I have always been afraid of ruining things and I think this was one of the reasons why my paintings look so tight and only half way accomplished. A few days ago a friend recomend ...
	Maria, don't dare to paint on top of this. Take a new canvas s'il vous plait. ...
	einai teleio!!!!! ...
	Nikoletta, whatever it is that you’ve said, you are absolutely right. You have the eyes for to look at things properly. You see what’s important and what’s not. And this painting for sure is a great b ...
	Dear Hanjo,I said ''It is perfect'', thanks for your nice words ...
anka bajurin	My impulse is to say drop the little stone on the beach - and go for the abstraction. Does that make any sense? ...
	I have allready made a step beyond. This little stones are just the first part of my exhibition "Killing loop". You can see it on web site http://free-du.hinet.hr/ankabajurin . Do you have some partic ...
	No. To be honest I'm not that familiar with her work - I just thought that your pictures here reminded me a little of her, and wondered if you were familiar with her paintings. ...
	I have seen some of her paintings now(I'm not familiar with her work). My other paintings, exsposed and not exsposed, are making very different path in the art from hers. But I see what you mean. ...
	Reminds me of bieng in space looking down at an Island on earth. ...
anka bajurin	Your view is a little bit dadaistic (pesimistic view on a life after the war that have took place in the art), but my paintings are more surrealistic (optimistic view). ...
	You know, this image reminds me of the bridge in Belgrade after it was bombed by the americans. Only difference here is your bridge is still intact. ...
	Killing loop is a part of the nature, don't see anything pesimistic. And if we speak in art terms this element here, called "Killing loop" is a surrealistic element. It would be better if you look fir ...
	If it's so optimistic, why "Killing Loop"? ...
	The way the bridge controls the plume is inspiring. ...
eugen varzic	Eugen.. can you tell us a little about this piece? What's with the Giaconda and foetus, and the camera? It's visually very interesting. I'd like to hear the artist's interpretation, if I may? than ...
	Well I especially like that touch of the robbery - The Mona Lisa Stolen Again! By the way, how was it living in Paris as an artist - did you find any stimulation from the current art scene there? ...
	Ok, something abou the San Greal! First of all I would like to tell that San Greal painting is stolen!! It happend on the exhibition in Pula ( CROATIA ).It was part of the group exhibition "Jo ...
	Here I am!!My second child has been born two days ago!!!A boy, named Ego.Beautiful angel! About Paris...actually I didn't try to involve into art life in Paris.You need to spend a few years there  ...
	Congratulations on the birth of your son Eugen, and a big welcome to Ego. May you have a lifetime of happy times together. (I've been away in India these past two weeks, and haven't kept up with  ...
John Berry	Well, in theory you could have some large canvasses ready and just work out your ideas there. Just because it's a larger space, shouldn't mean it can't be spontaneous? Confronting a big canvas is a  ...
	Hi John - so after completing this piece, did it relieve you of the frustration you mentioned? I get the impresson you could take on large format works - the way you cover the surface so completel ...
	For quite some time, yes. Partly because I really don't know where the piece"came from" - I still learn from it. The largest piece I've done was 1.4 x 1.5 meters. It was a battle for sure. But the ...
	Hi John I was watching your website and i love your work on paper. There is something similar with my work in a way and i dont really know what it is. A feeling,a combination of what you see a ...
	I definitely agree... I would love to see a large work too. The energy would tower over the viewer. I personally have a hard time doing small canvas'. I feel confined and restrained when it comes t ...
Ana Zanic	Ana... very harmonious work. Looking at the portfolio shows the drive of the series to be an exploration of colour. The dissolving forms, though abstract, seem almost figurative in their aloofness.  ...
	John-Paul, thank you for your comment. It is always nice to get feedback from fellow artists.  ...
	Well it rresonates with me - colour, mood - I like all your paintings but especially this one ...
	complimenti Ana le tue opere sono molto belle, colori caldi e soft.  ...
	Ana, this is really lovely - I think that you love colour so much and I also really love the dissolving quality - like bonnard - but now x sue ...
john-paul Delaney	I know you've been concentrating more and more on your three dimensional works of late and even your earlier paintings are kind of like studies for sculpture. When I look at either your paintings or s ...
	Hillel, do you teach art? I'm sure you're a popular professor with the students as your comments tend to be pretty true to the mark. As a general response, I had migrated away from painting form  ...
	You have an inventory of forms you use. You can pull them out of your hat and produce mural sized walls of the stuff. The fact that they'll be whitewashed the next day doesn't bother you because you h ...
	Hillel - patience with me please, I'm a little slow: How does breaking up the painting effectively add the element of time?  ...
	There's a time lapse between what you see and what you perceive, just as there's a time lapse between the right and left eyes as they adjust. These slight physiological disturbances are a fact. That's ...
john-paul Delaney	Now you're really digging up ancient artefacts. I've just realized I'd mistakenly put in the date completed as 1996, when in fact it was 1986 (sometimes I think numbers aren't a good enough represent ...
	This one here really looks impressive. I wish I could see it larger. This damn computor of mine won't let me click it up. Beautiful colour, form and depth its got that very early and very late Guston  ...
	You cannot possibly mean that you know for a fact that this was thrown away! It is BEAUTYFUL! ...
	Thanks Maria... but rather than beautiful, it was just big - too big. People don't have room for such things and as it's always in the way, they end up discarding it. At least I have a photo of this  ...
	Actually, it went the other way around for me. It was the first paintings I ever sold that I couldn't part with. ...
Christopher Wood	Hi Christopher... this work caught my eye right away. I'm very fond of the 'material' of canvas and love to see it evidenced as in this work. Also the deep ocean blue counters beautifully the dry cr ...
	Dear John-Paul, Many thanks for taking the time to look through my new site. It's taken up all of my time for weeks now, so I'll be (extremely) glad to get back in the Studio on Monday morning - altho ...
	I see a little of Tapies mixed with Burri in this work - two artists who have influenced my work too - the blue also reminds me of Klein. The broken threads could indicate a certain nervous anticipati ...
	a good artwork... ...
	i like the organization of the work and the light -dark contrast ...
Adil Oliver Sharif	On first seeing this work it did make me wonder what it was/is about. Its intrigueing. I would imagine that to methis kind of drawing is probably more interesting than the finished piece. ...
	...I like it... ...
	impactante, el trazo revela un gran oficio....... ...
	...
	...
Hillel Kagan	It' just struck me that the style of these paintings is like certain artists from the '30s. Was that deliberate or unconscious, given the subject matter? ...
	Thanks for all your comments Anne. Which artists from the '30s are you referring to? I'm curious even one example would suffice. ...
	Edward Hopper comes to mind but there is also a British artist whose name I can't bring to mind. Will post it when I remember. ...
	I do like the spatial aspect of Hopper's work and think I have, from time to time attained a bit of that feeling in my work. In answer to your original question, if it is there it was absolutely unco ...
	J.C.Leyendecker ...
Hillel Kagan	Terrifing, Powerful, Painful,............Art......! ...
	I like this but..dunno - the face shows pain but the posture is relaxed. The figure and the room are at odds. ...
	Hi Hillel, I like this painting. Isolation, meditation and solitude are very present here. It rememinds me the Hopper's empty rooms. ...
	Hi Hillel, I like this painting. Isolation, meditation and solitude are very present here. It rememinds me the Hopper's empty rooms. ...
	Thanks Frederico, I'll take that as a compliment and it's very appreciated. ...
Hillel Kagan	Kagan, this is great painting. There's plenty of painting history here, but the blur of today is uniquely contemporary....! Bravo.......! ...
	You're obviously a person of great intelligence and taste and I bid you welcome to the Art Process site. Seriously though, I do appreciate your kind comments. ...
	I try not to look for myself in other painters. This allows me to appreciate the widest possible range of creative endeavors, and to continue growing as a spirit. I'm always delighted when I encounter ...
	I think you're right to take the attitude you do and you put it well. If we only look to ourselves in the work of others we would never learn anything new. Obviously we all attach ourselves to differe ...
	Hi Kagan, I hope you don’t mind me addressing you by using Kagan. I just like the sound of the name. Fraternity, strands, spot, these are fantastic words, and you’ve used them in an artful coherent wa ...
Sheila Brown	Sheila, this I like best. You know that with flowers there is the same problem as with the nudes. One can easily slip into the kitschy section of art. The only attitude that helps out of this maybe mo ...
	...
	Thank you for your comment, Hanjo.I am really interested in what you say. It is fascinating that this is one of the first that I did with knives, and of the wild flowers. It seems to have a spontaneit ...
	Hi Sheila, i love flowers and i think this is one of my favorite in recent times. I dont and cant use oils so those who can i think are gifted... I wonder if you made a visit to Rajasthan , India  ...
	very beautifil ...
Maria Xagorari	It’s interesting how close another artists work can become if one had the chance to know the personel she’s working with. Now, after the trapani experience it’s not just a face but that dear person wh ...
	I think this is the strongest piece for as far as the portraits go. Very haunting. Reminds me of Luc Tuymans whom you must or should know. That highlight on the cheek balances out that type black corn ...
	I would love to blow them up to 200cm but my current art studio is too small. I'm working on getting bigger space. Actually I'm from Kerkyra. The satellite island of Othoni is the island my parents ar ...
	My current studio is 3m by 3,5m. I know exactly what you mean... I don't quite agree with the term "cartoony" about Adami. I think his lines are thoroughly studied and their precision serves spec ...
	hi in this painting the high sensitivity make 3Dimension I can to touch the lump do you try some day making sculpture beside painting, also the looking is wonderful expression and turn me ...
sasan abri	una composición éterea, me gusta ...
	A good visual concept of red to show the true nature of the falme. ...
	...
	Between material and spiritual... ...
	Hi, special invitation by the artist to view www.oghagbonmoses.com We sale arts and pictures. Thanks and happy viewing. OGHAGBON.E.MOSES ...
karen kruse	Having an interior as a background automatically tells it’s own story interferring with that one the body tells. So for me, looking at your paintings from 2005, all the bodies are embedded in that laz ...
	I am not as good as you are commenting paintings, but I´ll try to express my point of view the best I can. I think that the art of our times, today’s art follows a general trend of muteness. It is b ...
	I like your work very much. I think this one is amongst the best in your portfolio. I love the light and the ambiguity of the nude male figure seated in the wicker chair. A powerful composition and ve ...
	What I am talking about is that it doesn’t really matter what the artist says. For that’s only about intention. Important is what the artwork says. One cannot stand near to it all the time explaining: ...
	I agree with you, the artwork speaks by itself, much better than we do. I’d rather let it be read and not talk about it , as you said depends on who sees it, its a story or another. I guess I need m ...
lorenzo pacini	bellissimo il taglio, bella l'atmosfera e il gioco di luci. ...
	Grazie, ne sono lusingato anche perchè è l'inizio di un nuovo progetto. ...
	Bene, allora aspetto di vedere quanto prima altre tue opere di questa serie o "progetto". l'attesa...  ...
	i went throught your portfolio and i smile, thanks for the joy your works reflect on me. would i say its a stylisation, but the foreshortening and draftmanship intrigue me most. ...
	A volte servono le immagini come le tue chiare e riflettive di come è fatta la nostra realtà, la dipingo in ugual maniera essendo anch'io un ex illustratorepubblicitario ...
Maria Xagorari	Quite right. It's monumental. ...
	Dear Maria, go on, go on, go on, don't stop. You are on a good way. I know you can do it. It shows great promise. ...
	I am not convinced I can paint yet, but I know I can draw... Thank you for the encouraging my friends. Hanjo, your criticism in private may be offering its first fruit. I am working on it.  ...
	Maria & Hanjo... if you find your private critiques bearing fruit, do please consider sharing your experience with others. It would be very interesting to listen to both the teacher and student's vie ...
	Don't worrry J.P. No one is going to cheet and say all the interesting stuff behind everybody else's back (ha, ha). Private communication between artists is also natural, especially when big attacheme ...
Hanjo Schmidt	It seems like you are getting ready to allow some narration into your work. Am I right? After having seen Paula Rego narration is not a demon for me any more. All the contrary. ...
	Well Maria, with narration it’s a bit as Hillel described it for seeing figures in every pattern. We have a tendency to see a narration in every combination of figures. Put a woman and a man together  ...
	As I see it you have painted here two REAL women, and as you have done before, taking reality and cutting a piece of it for us, you seem to tell us; stop and look at real life ! , the way I look  ...
	You are absolutely right, it is true that the story narrated by painting when there aren’t any precise symbols used, depends very much on the viewer. Stereotype interpretations cannot be avoided thoug ...
	Hanjo, narrative or not it's a good solid work and I certainly concur with your reasoning for not uploading any new work without the right to delete them. That's the same reason I will not allow The P ...
Hillel Kagan	Now you're starting to get somewhere, Kagan! ...
	Thanks Arnold and just in the nick of time... cough. ...
	Seriously, Kagan, think of yerself as being in...mid-career...there's plenty of time for you to become a competent colorist! ...
	there you go again...putting yer reds in front of yer blues..and the lamp, I don't care about the lamp, i want more of what's dead center! Looking back 30 years i see how long i rassled with the p ...
	Thanks for your interest in my work and dilemma Arnold, I'm in fairly total agreement with what you've said, except for your grinding of the teeth and hatred for the lamp (very subjective, I love the  ...
Maria Xagorari	this is a good one. I like the closeness and the warm to cool colors. ...
	Thanks Fotini, I am quite happy with this one too. It was one morning's work that helped me face the rest of the week. You know I used to work with a restrained palete of the basic colours, o ...
	twra ton blepw kai mou aresei polu!!! ...
	I'm sure I agree with Nicoletta. Just one more thing, it's small but it seems monumental,where's the trick Maria?? ...
	as far as I know Nikoletta said that this looks very much like Maria. And I think she's absolutely right. It's a very interesting portrait as far as I can judge ...
david dalessandro	Nice painting David, almost Matisse-like. I love the blue ground. Do you have any favourite artists who inspire you to move on with your own work? I mean - are you challenged (maybe motivated i ...
	Among others? phew what a mix of styles,eras and continents! Some time ago I saw an alterpiece by Fra Angelico in a museum in Perugia. It was mesmerizing in it's harmonious colour combinatio ...
	Thank you John-Paul. I'm inspired by Fra Angelico, Rogier van der Weyden, Hans Memling, Persian minature painting, chinese painting, Piero di Cosimo, Uccello, Unicorn tapestries, early Al Held, and ea ...
	There is a great show of Fra Angelico at the Met right now--just amazing! What makes a great painting is nothing complicated. To me, painting should have a connection to elements in our life. Sha ...
Patricia Carmo Baltazar Correa	I recognize the "T" of tabacchaio, faintly in the background. That's all I can relate to the title "respiratore". Can you tell me a little about the stream of black marks, the two bulbous objects an ...
	es una obra de gran calidad, yo la recomiendo  ...
	hi john-paul and enrique! this srawing is about the idea that we, inhabitants if this planet, are simply "filters" attached to a chain where all the other beings are also filtering, cleaning. the smal ...
	me gusta...es una gran obra ...
Kristina Lycke	Wonderful!  ...
	"Many years ago, I climbed the mountains, even thought it is forbidden. Things are not as they teach us; the world is hollow, and I have touched the sky." — From a dying Star Trek character.  ...
	what is the hallucination, being at work or in a mountain? ...
	striking piece! ...
Tommaso Garavini	Wow... Tommasso, that's a huge painting. It must be quite stunning to view the real thing. Can you tell us a little about the work? Thanks. /j-p. ...
	Well, thanks Hillel for taking the time to give some feedback on another artist's work. I'd like to think that ArtProcess can be something more than just another site to post work - it can also  ...
	Really impressive. ...
	I don't know why but I promise you a great carrier - if this really happens think of me if I am still on this planet - REALLY GOOD ARTWORK _ ...
Hillel Kagan	Hillel Man, you've got sure a consistent outpouring of material in terms of discussions and and critiques. I really enjoy reading them.By the way, I very much enjoy these images of the grappl ...
	Thanks very much for the compliment and comments Pat. These paintings of the struggling figures were a real "struggle" for me as I had to go against all my instincts, habits and sensibilities to find  ...
	Patrick, I recommend that you take him up on that offer, if you can. Last year we managed to persuade him to come to Sicily (for which he's been cussing me ever since) with a few of his recent smalle ...
	"Managed to persuade me to come to Sicily." Hey I'm a big boy, nobody can force me to do anything I don't want to anymore. The thing is Patrick, if you stick around this site a little bit you may find ...
Hanjo Schmidt	Pondering over my feelings about your paintings, I think I understand why I've been so touched.It's about the naked body...The way you paint nudes...I've always been attracted by nudity either in a se ...
	It's very nice to see your work on the real size. Wowsome!  ...
	you master texture, light and size. there is absolutely nothing to add, except that i wish i could get anywhere near to what you achieve in terms of texture, light and size ... ...
	I think this is an amazing painting. Inspiring. ...
john-paul Delaney	I'd be interested in seeing how this idea might look worked in an upright position...There's got to be a technically easier way for you to progress with this kind of work..resin..Nikki etc...... ...
	If I explored the path of easier technique, I'd end up with twice, perhaps three times the amount of (unwanted) pieces I currently have lying around. My wife has banned them from the house, and I've  ...
	Hi JP..I understand the space issue. I work in our apartment. You may have noticed the size of the works I've been putting up on the site..5 x 7 inches. You can stock a lot of cards that size in a sma ...
	hi John-paul. when I first saw these works of yours I thought they were made of rubber! they have that sheen or finish to them. I still cant seem to get that out o my head even though I realise now th ...
teresa a mills	Somewhere on these comment pages, I don't recall whose work it was Mr. Delaney talks about seeking that one great memorable image as a worthy cause unto itself (I'm paraphrasing). A friend of mine, th ...
	I was just reading this over and I must have "architecture" on my mind. Apologies, the phrase my friend John M. says is "The real Estate of The Mind".Which makes at least some sort of sense.  ...
	wow! ...
	thank Hillel for your comments. yes kafka metamorphosis was an inspiration to me also cronenbergs naked lunch ...
Maria Xagorari	the artists are brightness and you are likewise  ...
	Dear Maria Xagorari mi scusi se uso la lingua italiana ma in Inglese non avrei le parole giuste per esprimerle la mia sincera ammirazione .I suoi lavori possiedono una forza comunicativa impressionant ...
	Perche' caro Costantino? Secondo lei, e straordinario essere donna e brava a dipingere? Mi dica. ...
	Certamente una donna può a pieno titolo essere una pittrice , e Lei lo à al 100% , quello che impressiona e attira è la FORZA e sicurezza e immediatezza che ne fa una pittrice molto rara . Cordiali sa ...
enza voglio	smolders in magic like a summer dream ...
	Una meraviglia ! ...
	rely...... molto bello ...
	I love this work. I love the red. It feels like the fires of a volcano... mesmerizing. I love the crack of light and the blue really stands out on that field of red like a chunk of ice suspended in ...
Dipalle Parmar	In times of modern art, and vibrant colours, it It is a treat to come across artists who are influenced by so-called "primitive" art...! The colours used, allows one to confront one's own earthly fili ...
	muy buena obra...... ...
	I love the way the colours almost feel as if they are made from fire itself ...
	Beautiful work or art here. I love the fact that I can see into it. The depth is amazing with only so few colors. Wonderful use of mixed media. The water color and oils together really make the pi ...
Lothar Neumann	good to see such a strong painter her Lothar! ...
	I really like your Art, Lothar! ...
	Interesting... I remember thinking to myself this is a good work when it was first uploaded, especially as I like so much oil pastels too. I didn't add any comment at the time, but am happy to see th ...
	Such energy. Great colors and techniques. Very nicely done. Many compliments. ...
Hanjo Schmidt	Oh, yes. I love the hands. This image is like one of a sculptor who has just finished modeling his clay, which we cannot see because it stands somewhere on the right, outside the painting. Are you bec ...
	Hanjo what a tutor you are. You have taught me so much in this painting. ...
	Hi Anne, nice to hear from you. And it is consoling that at least my paintings are doing a good job in telling something helpful about painting or in other words about looking at things properly. Of c ...
	First and foremost it's a wonderful painting! ...
karen kruse	My dear you were born to do acquarel. Love it. ...
	Hi, Karen. I see you just answered Hillel so you must be on line. Sorry to be using this space but I don't have your personal e-mail. Are you coming to Trapani? And when will you be there? ...
	Of course I'll be in Trapani. I'll get there the 4th of July and be there two weeks. doesn't it seem as though we already know each other? Are you going to be there?? ...
	Yes, it does! And yes, I will. Only for a few days though... How I would like to have two weeks as well... ...
Maria Xagorari	faithful old dog! ...
	I love this piece, a really beautiful and sensuous figurative study. ...
	Thanks guys. Actually, I didn't mean it as a study. It was just a gesture of unselfish love towards my little old boy who scares me to death everytime he is not well. Pink is a fragile colour. ...
	Immagine tragica come quelle di Soutine .Canonico ...
Nikoletta Delasouda	Someone wrote that we should learn to see, the same way we learn to read. I think you have a natural gift for seeing, and getting to the interesting point of a scene. And you find it in any image, ...
	Thanks dear Karen!!!!! But is 49% to me and 51% to Hanjo!!! The best part in this photo (if you want my opinion) is the gaze!!!  ...
	Thanks dear Karen!!!!! But is 49% to me and 51% to Hanjo!!! The best part in this photo (if you want my opinion) is the gaze!!!  ...
	Yes of course the painting is important, but the way you have framed the image she (the girl) seems to look at us asking for help, she seems to fear to be manipulated again, she is more alive than any ...
Devoti Giuseppe	There seems to be a resolution problem with this piece. I would love to comment later. ...
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khairy hirzalla	nice, i like it ...
	I see a depiction of an event in many of your works. They appear like stage settings after the main actor has exited. Do they contain a narrative? I would be interested if you'd write a bit abou ...
	Dear john Paul My work is somewhere between reality and abstract. I found reality is boring, so I decided to paint in that area. I think this style convey my feelings to people smoothly and stim ...
	hello my friend Kahiray .. thanks for inviting me here to discover this website.. i second my openion with John Paul its a strong painting and representing most of people feelings wich is the lost cit ...
TITUS AGBARA	Titus, I found the studio log for this work very interesting. From a very basic background you paint a complete quality painting from top to bottom like a computer screen refresh. Amazing! You've c ...
	...
	I must give kudos to you for a selfless service to the artworld, thank you. Art is a universal visual language, never the less of its diverse clasification, i see it as an "individualistic tendenc ...
	Great work T. Enjoying it!!! ...
Federico Mazza	Generale, dietro la collina non c'e' piu nessuno... o forse si? Impressionante. ...
	Ciao Maria, il senso del limite, proprio quello volevo raggiungere e leggendo il tuo commento noto con piacere che ci sono riuscito :-) ...
	Non sono sicura di aver capito. Io guardando questa immagine, immagino un' infinita' di luoghi dietro la collina. Cosa intendi con il "senso del limite"? ...
	L'immaginazione è generata dal limite della visione. In questo caso io sento e vedo un limite di una collina che mi impedisce di vedere. Questo limite genera la tua immaginazione, quel bagliore di ...
Hillel Kagan	sometime ago you wondered about what makes artistsand I had told you my story.Recently I made a small film about it,if you like to see it you can take a look at untold stories.eu . ...
	Fotini, I really want to thank you for that, it's truly a memorable little video that says much about you and your personal art and life journey. The bonus for me was actually hearing you speak, your  ...
	Hillel, thanks for letting us participate. Having just been in Greece for 10 days everything from there now has my special interest. And thanks Fotini (the name is stressed on it's last i as I just le ...
	The exhibition is finished, I packed Karen's paintings today to send them back to their mama, and as this is my last week with no lessons on Wednesday, I finaly made time to see what has been going o ...
Hanjo Schmidt	Hmmm... ...
	Hm ...
	Ok, what's your Hm about? Wanna talk about it? ...
	well my dear, I thought it would be fun to have a long long conversation, nonverbal but with lots of ahs, ohs, uhs and hms instead. So without any facial expression and melody of the voice something l ...
john-paul Delaney	i like these coffins a lot!i like also very much the way you develop your sculptures on metal wire! ...
	me gusta mucho tu obra, ¡¡¡¡es muy vasta y de excelente calidad!!!!! ...
	art trap...art trap...look j-p, there is this guy who's a teacher at the art school in hamburg who worked a